飞鸟经过天空的痕迹——《流浪女》观感

-”现在可不是露营的天气。”

-”我从不选择天气。”

-”你选择了道路?”

-”是的。”

这就是流浪女Mona的生活,飘飘荡荡,无拘无束。导演瓦尔达女士在电影开场之前就对我们说,这可能是一部残酷的电影,因为在一开始我们就看不到希望。没错,她死了。无数人与她的生活擦肩而过,然而正是凭借他们支离破碎的叙说与记忆,我们才得见这只自由而孤单的飞鸟经过天空的痕迹。

她受过教育,可她拒绝一份安定的职业。擦车、牧羊、剪枝就足以提供她所需的香烟和面包;她孤身一人,可她拒绝温情。和戴铁链的男人睡在一起,他们睡着时可爱的样子让人不忍惊动。可即便这样,也不能阻止她的离去;她接受恩惠,可她拒绝感恩。卡车司机让她搭车,可她却抱怨没有收音机。大学老师送给她大包的食物,她毫不犹豫地收下却不说一声谢谢。

–这就是Mona,她总是拒绝,可她也总在选择。选择了绝对的背弃,选择了绝对的自由,选择了绝对的孤独,选择了绝对的危险,选择了绝对的死亡。

瓦尔达一开始就告诉我们,欣赏这部电影我们不能加上任何的道德评判,没有什么应该不应该,我们观看,我们欣赏,我们接受,如此而已。这个道理我又怎么会不明白呢?史铁生也说”欣赏这如歌如舞如罪如罚的生命之旅吧。由一个亘古之梦所引发的这一生命之旅,只是纷坛的过程,只是斑斓的形式。这足够了。”

可是,这真的足够了么??

对于作家和导演,的确足够了。意义在于表达,或者不妨说表达本身就是意义。Mona按照自己的意愿选择道路,导演凭借思想和技术予以展示,这些不都是表达么??可是我们呢?电影散场,乘车回家,浑浑噩噩的一天。年龄在增长,智慧却没有进步,我真的很痛苦。

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今天的两部电影

十七岁的单车 Beijing Bicycle
什么样的信念和冲动,是他们不约而同地举起了砖头?

千年女优 Millenium Actress
宇宙以其不息的欲望将一个歌舞炼为永恒。这欲望有怎样一个人间的姓名,大可忽略不计。

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与狼共舞

昨天程序有了个初始的版本,今天一晚起来就看了部《与狼共舞》,补偿自己下。:)

看到Kevin带领Sioux族人抵抗Pawnee人的时候很感伤啊。虽然电影表现的是印第安人与自然之间的和谐共处,不像白人那样贪婪和堕落。可是当Sioux有了枪之后……我觉得的他们对待Pawnee最后一个战士,和白人对待white socks没什么区别。

小时候看电影总是站在某一方的立场上,或是某一位人物。现在我才知道,不是英雄的人总是大多数。他的每一次成功逃脱付出的仍是某一个,或是许多小人物的生命,实实在在的生命的代价,无论是友是敌。

卢梭说巴黎是人类文明的中心,但同时也是人类文明的羞耻。高更追随了这种理念,他终生与大西地为伴,可是就在Tahiti,他看到的仍是生老病死的循环,尔虞我诈的斗争。

库布里克在他的2001太空漫游里暗示说,人类的进化不过是工具的先进化。从骨头到太空飞船,不过换了种形式罢了。

是这样么?

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Taken说了什么?

花了两天时间看完了Taken,才发现它讲述的东西并非仅仅是我之前了解的那样。

Taken是斯皮尔博格(Steven Spielberg)拍的电视剧,讲述了三个家族三代人和外星人的故事。也许正是外星人这个远离现实生活的话题,才给了我们足够的高度,以审视生命,审视我们自身。

Why do people want so desperately not to be alone? Why is it more comforting to think you are being watched than to know that no one at all is watching? And why, really, does that make us any less alone? In the end, if there are others out there, then wouldn”t we be, all of us, still alone together?

I have this idea about why people do the terrible things they do. Same reason little kids push each other on the schoolyard. If you”re the one doing the pushing, then you”re not going to be the one who gets pushed. If you”re the monster, then nothing will be waiting in the shadows to jump out at you. It”s pretty simple, really. People do the terrible things they do because they”re sacred.

–孤独和恐惧,我们人生境遇

We”re all standing on the edge of a cliff, all the time, every day, a cliff we”re all going over. Our choice isn”t about that. Our choice is about whether we want to go kicking and screaming or whether we might want to open our eyes and our hearts to what happens once we start to fall.

–觉醒,伴随着心灵的坠落

When you”re little, you like to think you know everything, but the last thing you really want is to know too much. What you really want is for grownups to make the world a safe place where dreams can come true and promises are never broken. And when you”re little, it doesn”t seem like a lot to ask.

–我们长大了?我们成熟了?

Christmas is all about hope. Kids hope for new toys. You get older, and the toys get bigger, but the hope stays the same. Some people might hope for peace on Earth or maybe for a better tomorrow, whatever their idea of that might be, but most people still just want something bright and shiny and new.

–人生又何尝不是如此?

People like to examine the things that frighten them, to look at them and give them names, so saints look for God, and scientists look for evidence. They”re both just trying to take away the mystery, to take away the fear.

–无力的反抗

People talk a lot as if the most important thing in life is to always see things for what they really are. But everything we do, every plan we make is kind of a lie. We”re closing our eyes and pretending the day won”t ever come when we won”t need to make any more plans. Hope is the biggest lie there is, and it is the best. You have to keep going as if it all mattered, or else we wouldn”t keep going at all.

–人生的意义究竟是什么?

People believe what they want to believe. They find meaning where they can, and they cling to it. In the end, it really doesn”t matter what”s a trick and what”s true. What matters is that people believe.

–我们需要信仰吗?

I don”t know what will happen next. I don”t know what I”m going to be, what I”m going to learn, but what I do know is this-life, all life, is about asking questions, not about knowing answers. It is wanting to see what”s over the next hill that keeps us all going. We have to keep asking questions, wanting to understand. Even when we know we”ll never find the answers, we have to keep on asking the questions.

–也许,从来就没有,也不会有答案

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《雷雨》—— 理想主义者的悲歌

刚刚的课上老师放了话剧《雷雨》。看见熟悉的人物一个接一个登场,那尘封已久的记忆一下子又鲜活起来。

今天再看《雷雨》,才发现它完完全全是一曲理想主义者的悲歌!雷雨来临之前愤懑的情绪压抑着,蓄积着,折磨着几乎所有的人。社会的也好,家庭的也罢,在这里,我不想说他们的悲剧都有怎样的根源;单就他们每一个人来说,我看见的几乎都是悲剧–除了一个人以外。

周朴园:也许和侍萍相比,在物质上他并没有失去什么;也许他的所谓纪念,更多地只是为了弥补自己内心的不安;可是”一个人做了一件于心不忍的是就会忘了么”?他有社会上的地位,有家长的尊严,可是他”不喜欢女人家”,再也没了爱情。亲情似乎也没有,连他的儿子也怕他。

鲁侍萍:三十多年的恨与悔,三十多年来一天天受的苦。生活对她来说就是那么现实与残酷。也许这些都还能忍能熬,可是女儿的不幸福呢?

繁漪:已预备好棺材,安安静静地等死,可是周萍偏偏把她救活了,再让她慢慢地渴死、枯死。

周萍:一段不堪回首的不伦之恋,沉重而无法摆脱的精神枷锁。周家的空气里都是罪恶,他又何尝不被煎熬?

周冲:”有一条轻得想海燕似的小帆船,在海风吹得紧,海上的空气闻得出有点腥,有点咸的时候,白色的帆张得满满地,像一只鹰的翅膀斜贴在海面上飞,飞,向着天边飞。那时天边上只淡淡地浮着两三片白云,我们坐在船头,望着前面,前面就是我们的世界”有梦的人我总是很难说清楚。也许他们总是需要足够坚强,才能忍受没有同道中人的寂寞,才能忍受幻灭那一刹那的重量。

四凤:你爱,却从不知晓爱的悲哀!当真相终于来临的时候……

鲁贵:有过爱的人,有着真性情的人,似乎都在痛苦着。理想和爱情都成了折磨人的东西,唯有鲁贵,一如既往地,没心没肝地,快活地过着日子。有吃有穿,赌两个小钱,喝两口小酒。对老爷和少爷靠的是嘴皮,在家里摆的是架子,活脱脱一副小人嘴脸。只可惜我从他的小曲里听出了知足且”幸福”的人生–”花开花谢年年有,人过了个青春不再来”。

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